The age of the characters of two main plot lines differs for Susan and Edward ( Amy Adams and Jake Gyllenhaal in a movie).
#NOCTURNAL ANIMALS PLOT MOVIE#
The movie instantly cooperates with our emotions and keeps up the pressure even within passive, contemplative scenes with minimum action within a frame. Emotional “ Nocturnal animals” soundtrack leads the audience both in scenes of maximum suspense and unexpected plot points. Tom Ford gradually makes emphasize with his main protagonist for us to feel this contrast. His peace and harmony, joy and happiness are being collapsed within only one long night. The contrast plotline with TONY GASTINGS progresses within an American rural area with characters, dirty wrinkled dressed. This visually calibrated life in luxury is only a cover of an emotional ordinariness and poorness of her inner world and a sign of Susan’s day-to-day frustration. Susan’s vivid makeup and the perfect style of her “perfect” husband, who found to be a betrayer and a bankrupt. Extraordinary art gallery with sharply-dressed employees.
The dark build fashion with stone and glass and classic tones of the architecture. The “real” plotline of Susan is depicted with a delicacy and style perfection. Whereas “ A single man” opens with a scene of a naked man’s body in water, “Nocturnal animals’ shocks even more with a grotesque dance, performed by two fat ugly women. Director has also created a scenario of his vision. “Nocturnal Animals” is truly Tom Ford’s uniquely designed project, based on Austin Wright’s “ Tony and Susan” book. On closer examination, both pictures have almost identical visual and even emotional narrative style, including a soundtrack. Tom Ford is the author of another well-criticized project called “A single man” with Colin Firth. More than this, a majority of those who satisfied “Nocturnal animals” have no idea who was a director. Tom Ford is famous for his eccentricity and it’s twice exciting to figure out a scale of his artistic impact as a director. Tom Ford “Nocturnal animals” movie has happened to be something more than a good traditional movie adaptation. Two characters from the different layers of a story emotionally interact both in a book and in a movie adaptation. The second one is presented not with Edward, but with Tony, a character of Edward’s book called “Nocturnal Animals”. Susan from the so-called real world (indeed fictional) is the first protagonist. Even “Tony and Susan” title itself resembles this allegorical contradiction. The creators of both pieces of art use a system of contrast and emotional markers and put them into the “real” plotline. In both “Tony and Susan” book and “Nocturnal animals” movie this inner story grabs out the complete attention of the audience. The book inside the movie, a story inside another story, now reflects the very personal issue of an allegory. The movie adaptation by Tom Ford emphasizes this emotional conflict by means of artistic shapes, music and plot points. Susan, as the main character of the “real” plotline deeps into a story and a fate of Tony Gastings, a fictional character, who resembles the image of her own husband. “Nocturnal animals” novel hides the personal story of Susan and Edward, love and sorrow. The story itself is turned out to be much more intimate than it looked like at the beginning. SUSAN MORROW, the female protagonist of the “main” plotline reads a book of her former husband. He puts his characters into another inner story, called Nocturnal animals, blurring the line between two fictional realities.
Austin Wright, an author of the original book, have accomplished something more than just a detective story with a dark atmosphere of despair. ‘ Tony and Susan’ book has an additional imaginative layer, not so common even for the bestsellers, chosen to become movies. TOM FORD, both a famous fashion designer and a movie director has put on screen a piece of extraordinary and exceptional written art. THE BOOK INSIDE ANOTHER BOOK INSIDE THE MOVIE
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